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by Cecca Ochoa, Editor Mia Nakano is a photographer, served as the founding photo editor for Hyphen Magazine, and is currently the lead artist for the Visibility Project. In August, Ochoa met with the photographer in her Oakland home to discuss the project. All images copyright of Mia Nakano, visibilityproject.org. A thought experiment: Imagine a body without race or gender. What do you see? Imagine a body with race and gender. Who do you see? Last week, Germany announced that it will be the first European nation to put a third gender distinction on birth certificates. Nepal instituted a third gender citizenship certificate earlier this year and Sweden has recently established a third gender pronoun. These are exciting wins for the LGBTQ community whose mainstream US efforts have been ardently and monogamously wed to gay marriage at the expense of issues like trans healthcare and representation for (binary) gender non-conforming individuals.

Representing Difference In Writing – The Rumpus

Apogee Journal

28 Aug 2013

The Rumpus has posted a thoughtful essay by Delaney Nolan about writing poor, black characters as a white fiction writer. The purpose of good literature, as far as I can tell, is to find a common human ground that we can all relate to. So I’m not going to represent difference by pretending like I know exactly where Marie’s coming from, or by throwing in a rainbow-colored cast. But I know, at least, some things we have in common now. I know what it’s like to rely on family who’re in a hard place themselves. I know what it’s like to be isolated, to be powerless. I know what it’s like to be, in some sense, unhoused. I don’t know precisely what life is for the people on Marais Street, but I can get myself partway there, and the rest of that bridge is what makes fiction necessary and superlative—empathy, understanding, and a sincere belief in some common thread of humanity. Read the rest here.

The Gray Area: Gentrification in Manhattan's Hamilton Heights

Apogee Journal

14 Aug 2013

by Alexandra Watson, Editor-in-Chief As a mixed-race graduate student at Columbia living in Hamilton Heights, a neighborhood in Harlem destined for “urban renewal,” my relationship to the word gentrification is ambivalent. As a child, I associated the word “gentrification” solely with white people—I thought it referred specifically and only to the moving of white people into a neighborhood. In popular usage, among my peers and members of my family both black and white, this seems to be the way the word has come to be understood, despite the fact that the word’s real definition refers solely to class and property—“the buying and renovation of stores and houses in deteriorated urban neighborhoods.” The word has taken on a negative connotation, oftentimes rightfully so—gentrification strips a neighborhood of its history, it drives out long-term residents, it either appropriates or overruns culture.